Biochemical Engineering|Bioengineering|Biomedical Engineering and Clinical Engineering|Manufacturing|Regenerative Medicine

This module builds on the knowledge gained by attending BENG0011 and BENG0032 and aims to provide students with a working understanding of the design...

Design and Manufacture of Regenerative Medicine Drug Products (BENG0085)

This module builds on the knowledge gained by attending BENG0011 and BENG0032 and aims to provide students with a working understanding of the design challenges for manufacture of regenerative medicines, which present unique challenges compared to existing pharma and biopharma products due to the live nature of the product. Considerations regarding infrastructure, principles of good manufacturing practice and the wider economic and ethical impact of their manufacture will be incorporated into the design process. This will provide students with the skills that would be highly desirable by the growing regenerative medicines manufacture industry and the Cell Therapy Catapult.

Upon completion of the course, a student should be able to:

Understand design requirements for regenerative medicines products manufacturing
	Design a whole manufacturing process and related infrastructure for a regenerative medicine product and provide appraisal of the whole process
	Apply design principles and knowledge of process operations to multiple candidate regenerative medicine products

The aim of this module is to provide an introduction to the archaeology of Egypt and the Near East, from the beginning of the Holocene (about 12,000 years ago)...

Introduction to Egyptian and Ancient Near Eastern Archaeology (ARCL0007)

This module introduces key theoretical concepts pertinent to contemporary art and visual culture as a field of interdisciplinary enquiry. It also investigates...

Contemporary Art and Politics in Eastern Europe and Russia (SEEE0014)

This module introduces key theoretical concepts pertinent to contemporary art and visual culture as a field of interdisciplinary enquiry. It also investigates a host of critical perspectives on the social and historical specificities of cultural practices that emerged across Russia and East-Central Europe after 1989, taking into account transnational subjectivities and dynamics of spectatorship. In particular, it invites students to examine the interconnectedness of contemporary artistic practice, theoretical considerations and shifting political landscapes.

The module is team-taught, offering students an exciting opportunity to work with academics whose research crosses borders and disciplines. It is organised thematically, encompassing five major themes: theoretical underpinnings of visual culture studies, digital cultures, curatorship, cities and architecture, posthumanism and critical ecologies.

 